Book Talk: Urvashi Gulia debuts with road trip tale

NEW DELHI Thu Jul 5, 2012 12:38pm IST

An Italian tourist stands on a hilltop overlooking Leh city from Namgyal Tsemo Gompa monastery in Leh, capital of Ladakh July 8, 2011. REUTERS/Fayaz Kabli/Files

An Italian tourist stands on a hilltop overlooking Leh city from Namgyal Tsemo Gompa monastery in Leh, capital of Ladakh July 8, 2011.

Credit: Reuters/Fayaz Kabli/Files

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NEW DELHI (Reuters) - A television reporter walks out of the newsroom after a spat with her boss, setting out on an impulsive road trip that eventually puts her life back on track.

Urvashi Gulia's debut novel "My Way Is the Highway" is in many ways a memoir, with traits for her characters drawn from the author's real-life observations of India's ratings-hungry television industry.

Manki, the book's main character, leaves Delhi for the Himalayan mountains hundreds of miles away with only her trusty jeep Iqbal Mastani for company, learning to fish, unwind and even fall in love along the way.

Gulia, a former journalist who now works in the non-profit sector, was inspired by the sudden death of Soumya Vishwanathan, a Delhi-based TV journalist murdered in 2008. Writing a book was one of the dreams Gulia had shared with her friend and Soumya's death made her realise she couldn't put it off.

Gulia spoke to Reuters about how her book isn't really chick lit and how life isn't easy for young, single people in India.

Q: You were a journalist yourself. How did this book come about?

A: "Way back in 2004, after a series of crazy nights at work, I couldn't sleep. I wrote a start and an end and announced to my friends that I am going to write a book. I wrote that bit on an office notepad and forgot all about it. The notepad came back to me when I was moving houses in 2007. I took a sabbatical then and practically changed my career.

"In all honesty, I would have probably sat on it longer but I Iost a very dear friend with whom I used to talk about writing a book, maybe make a movie one day and many other things that we would plan to do at some point in life. I realised that I didn't have all the time in the world to do everything that we dream about. Two weeks after she died, I was at Pune airport, I opened the notepad and put it away. I picked it up a month later and wrote non-stop for two days. That's how it came about."

Q: Did you really take that trip alone?

A: "I didn't do it alone. I travelled the route. Every place mentioned in the book is a real place. I picked up the elements of those experiences during camping trips with my friends. I deliberately travelled twice over to get the distances right."

Q: Did you have the plot and characters from the outset?

A: "The only things I have changed since the first draft are adding shades of grey to my characters. Initial draft had everything sugary sweet. I had to give Manki that touch -- almost every urban woman goes through a phase when she likes more than one guy at a time, then she has to choose, and that is not easy. I was initially very careful with the language too, but then I thought why not use the real words that are used in a television newsroom. My editor's brief was to be real rather than being nice.

"Most of the journalistic instances in the book are drawn from real life, some from mine and some from my friends. Also, there is such a charm in the youngsters about the media world, every young girl and guy wants to be a television journalist, so I thought I should let them get a glimpse of this side as well."

Q: Can this book be described as chick lit?

A: "No. I have a big contention with branding of books chick lit and lad lit. If every piece of contemporary fiction by a woman writer with a female protagonist will be branded as a chick lit then aren't you creating a glass ceiling under a sexist glass ceiling that already exists? I'd like to say it is an urban contemporary fiction ... I have a moral issue with the chick lit tag. I just feel it is unfair. If ten years later, people say this was one book which talked about how women in the Indian cities lived, it is spot on."

Q: How much of Manki is you?

A: "I don't have the guts that she does. The only similarity is that we are both journalists, and an army man's daughters. Placing the story in a time span of 2005 - 09 was easy too, because I was working in the media, and even later I still had friends. So the research was not very difficult. Manki and I talk and think at the same pace. She thinks so much, does too much in a day. I don't have Iqbal, the jeep. Also, I wish I could take a lone trip into the hills. All the traits I have built in are the amplified traits of journalists in this country."

Q: How tough or easy is life for a single woman in Indian cities?

A: "The cities don't make it easy for you. It is a personality issue. I mean you can live as bold a life as you want in Delhi or Bombay, Bangalore or Kolkata ... Apart from that it is your decision, you decide this is what I want, and these are the precautions I will take to stay safe. There are tiny peripheries in all these towns where you may be safe. You need your allies. I feel that it is a huge celestial conspiracy against single women in India: From absolute strangers, neighbours, friends to eventually your own distant and near family members start asking questions. Why are you single? And if you are seeing someone, then why is that person coming over to your house? Who is this guy with you in your pictures? Same goes for men too. No one wants to give a house to a bachelor."

(Editing by Tony Tharakan and Elaine Lies)

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Comments (1)
PritisMajumdar wrote:
I am not aware of any genuine and good Indian editor who can edit manuscript of memoirs / novel/no-fiction. If so, I need an editor for my debut fiction / memoir – semi-autobiography.Please contact: pcmajumdar@gmail.com

Jul 05, 2012 7:31pm IST  --  Report as abuse
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