'American Hustle,' 'Wolf of Wall Street' win Writers Guild nods
LOS ANGELES (Reuters) - Screenplays for two films depicting graft and greed in America - "American Hustle" and "The Wolf of Wall Street" - were among the nominees on Friday for the Writers Guild Awards, a prognosticator for the film industry's top prizes, the Oscars.
Notably missing from the nominees for best adapted screenplay was "12 Years a Slave," a film based on the memoirs of a free black man kidnapped and sold into slavery in pre-Civil War America. The film from British director Steve McQueen is considered a front-runner for a best picture Oscar.
Also in that category, the Writers Guild nominated the screenplay of Martin Scorsese's "The Wolf of Wall Street," the story of the 1990s swindle by brash financier Jordan Belfort. The movie has stirred controversy with its graphic depiction of drugs and sex.
Rounding out the category are: "August: Osage County," a tale of family dysfunction adapted from the prize-winning play by Tracy Letts; "Before Midnight," Richard Linklater's third take on a couple; "Captain Phillips," the true story of a pirate attack on an American cargo ship off the coast of Somalia, and "Lone Survivor" the tale of brotherhood among Navy SEALs in Afghanistan.
In the best original screenplay category, the 1970s con-man romp of David O. Russell's "American Hustle" is joined by Woody Allen's reversal-of-fortune tale "Blue Jasmine," the portrait of an unlikely AIDS treatment activist in "Dallas Buyers Club," the virtual love story "Her" and the rueful look at life in the heartland in "Nebraska."
The Writers Guild Awards will be handed out simultaneously at ceremonies in Los Angeles and New York on February 1, ahead of the March 2 Academy Awards ceremony.
(Reporting By Mary Milliken; editing by Gunna Dickson)
- Tweet this
- Share this
- Digg this
Trending On Reuters
Rajkumar Hirani makes his main protagonist an outsider, places him in a corrupt environment, and then lays the onus on him to change the system. As with most good things, the trick lies in knowing when to stop. Hirani and Aamir Khan don’t. They seem so intent on hammering the message home that it hampers the cause more than helping it, writes Shilpa Jamkhandikar. Full Article