'American Hustle,' 'Gravity,' '12 Years a Slave' lead Oscar race
BEVERLY HILLS, California
BEVERLY HILLS, California (Reuters) - Three films - "American Hustle," "Gravity" and "12 Years a Slave' - cemented their frontrunner status for the Oscars on Thursday in what is shaping up to be a highly competitive year for Hollywood's top honors.
Director David O. Russell's 1970s con-men caper "American Hustle" and Alfonso Cuaron's space thriller "Gravity" each won 10 Academy Award nominations, while Steve McQueen's brutal depiction of slavery in "12 Years a Slave" secured nine. All three films garnered nods for best picture and best director.
"This has been an amazing ride, and to receive nine nominations from the Academy is testament to all of the hard work," said McQueen, a British filmmaker who unearthed the real-life American story about a free man sold into slavery.
But in a year hailed as one of high quality for the Hollywood industry, several other films could challenge the favorites in the race for the world's top film prizes.
Somali piracy thriller "Captain Phillips," the AIDS activism tale "Dallas Buyers Club," and heartland comedy "Nebraska," which each garnered six nominations.
Martin Scorsese's cautionary tale on financial greed, "The Wolf of Wall Street," quirky computer-age romance, "Her" and adoption drama "Philomena" round out the nine nominees for best picture.
Members of the Academy of Motion Picture Arts and Sciences may nominate up to 10 films for best picture, but only chose nine this year. A notable exclusion was the Coen Brothers' "Inside Llewyn Davis," which had won some top critics' awards, and scored only two nods overall.
The race could be complicated by the long lead time to the Oscars ceremony, to be hosted by comedian Ellen DeGeneres in Los Angeles on March 2.
TOP ACTORS SNUBBED
The crowded honors race spilled over into the acting categories, where the Academy snubbed some veteran stars and instead chose to recognize up and coming talent.
Eight individuals in the acting categories are first-time nominees, including Chiwetel Ejiofor as the free man sold into slavery in "12 Years a Slave." He will compete in the best actor race with Matthew McConaughey, the Golden Globe winner last Sunday for his role as the unlikely AIDS crusader in "Dallas Buyers Club," and Leonardo DiCaprio as the swindling, fast-living stockbroker in "The Wolf of Wall Street."
DiCaprio said he "found the role to be one of the most challenging and rewarding of my career."
And while the best actor race included veteran Bruce Dern for his cantankerous old man in "Nebraska" and Christian Bale as the con-man with bad hair in "American Hustle," it excluded Robert Redford, who won acclaim for his solo role as a sailor lost at sea in "All is Lost," and Tom Hanks as the captain under siege in "Captain Phillips."
Hanks, who has not won an Oscar since his back-to-back wins in 1994 and 1995, was considered a favorite, mostly because of his harrowing final scene in the film.
"I'm disappointed by it," said "Captain Phillips" producer Michael De Luca. "It was a crowded field this year. It's a great field of movies. I think with Tom, who has been so excellent in everything for so long, he makes it look easy."
Hanks' Somali nemesis in the film played by newcomer Barkhad Abdi did win a best supporting actor nod, however.
It was a good year for veteran actresses and Oscar winners. Meryl Streep extended her lead as the most nominated performer with an 18th nomination, this year for best actress as the matriarch in "August: Osage County."
Streep goes up against fellow Oscar winners Sandra Bullock as the astronaut lost in space in "Gravity," Cate Blanchett as the riches-to-rags socialite in Woody Allen's "Blue Jasmine," and Judi Dench as the Irish mother who loses her son in "Philomena." Amy Adams is nominated for her turn as a con-lady in "American Hustle."
"This is just the loveliest news," said Dench. "I'm so happy for everybody involved, and so proud to have been part of the wonderful experience that Philomena has been."
The list excluded Emma Thompson, praised for her role as the "Mary Poppins" author in Disney's "Saving Mr. Banks."
RARE FEAT FOR 'AMERICAN HUSTLE'
In the supporting categories, there was a nod for newcomer Lupita Nyong'o as the slave Patsey and another for her cruel master, played by Michael Fassbender.
"American Hustle" also earned supporting nominations for actors from Russell's hit last year "Silver Linings Playbook," - Jennifer Lawrence, who won the best actress Oscar, and Bradley Cooper.
Russell's romp through 1970s New York earned nominations for best picture, directing, writing and all four acting categories, a rare feat he also scored last year.
At the Golden Globes on Sunday, "12 Years a Slave," distributed by Fox Searchlight, a unit of 21st Century Fox (FOXA.O), won best drama while "American Hustle," distributed by Sony (6758.T), won best musical or comedy. "Gravity" was distributed by Warner Bros., a unit of Time Warner Inc (TWX.N).
In the next few weeks, Hollywood will look to see how the actors, producers, directors and writers guild awards shape up. Their members also constitute the bulk of the 6,000 Academy members.
Oscar voters have a longer time this year between nominations and awards and there is a risk they could get bored by the frontrunners, change their minds or be distracted by the Winter Olympics, said awards handicapper Tom O'Neil of Goldderby.com.
"Right now it's looking like '12 Years a Slave' is ahead based on the momentum," said O'Neil. "It feels very important. It has the urgent social message that the Oscar voters like, but it's a hard movie to take."
"American Hustle," he added, has an A-list cast, a good box office and lighter fare, while "Gravity" is "a spectacular achievement cinematically."
Cuaron won best director at the Globes and the technical advances he used to depict the wonders of space in "Gravity" yielded nominations for cinematography, visual effects and sound, among other technical categories.
(Reporting By Mary Milliken and Nichola Groom; Editing by Sandra Maler)
- Tweet this
- Share this
- Digg this
Trending On Reuters
Rajkumar Hirani makes his main protagonist an outsider, places him in a corrupt environment, and then lays the onus on him to change the system. As with most good things, the trick lies in knowing when to stop. Hirani and Aamir Khan don’t. They seem so intent on hammering the message home that it hampers the cause more than helping it, writes Shilpa Jamkhandikar. Full Article