Tarantino's Nazi villain storms Hollywood

By Ben Walters

LOS ANGELES (Hollywood Reporter) - "The better the dog, the busier you have to keep him."

That was the advice a dog trainer, of all people, gave Christoph Waltz, the Vienna-born actor who won the top acting prize at Cannes for his role as the eerily deliberate Col. Hans Landa in "Inglourious Basterds."

Now he's keeping busy. Very busy. Sporting a beard for his new role as the villain in "The Green Hornet," the 53-year-old actor is co-starring in a major studio film and fielding offers for everything from star parts to A-list parties.

He appears somewhat bemused to be invited to events and roundtables with the likes of Nicolas Cage and Morgan Freeman, but his confidence in his own skill is apparent.

"I'm arrogant and blase enough to consider myself a very good dog," he jokes, while admitting that the long time it has taken him to achieve this level of recognition may have chafed. "You take pride in what you're doing, in your craft, and all of that, but -- I wouldn't say I resigned myself to mediocrity, not at all, but I started to accept that there might be an ideal you strive for (and) never realize."

Now he's found that ideal with Landa. It was a piece of casting that director Quentin Tarantino considered so essential for his film that he was almost ready to give up on the whole project, having spent more than $1 million of his own money to develop it, after weeks of failing to find the right actor. Then Waltz walked in and Tarantino knew he could make his movie.

"I consider myself one of very few who get the chance to have that experience," Waltz says. "(But) it would be completely presumptuous, or, in a way, childish, or rather infantile to expect that could happen again and again."

Being born into a family of theater professionals has helped him keep things in perspective. Waltz's parents worked as set designers, and he also had grandparents and even great-grandparents who were involved in the performing arts. After studying acting in Vienna at the University of Music and Performing Arts, he learned Lee Strasberg's method-acting techniques, living in New York in the late 1970s, before returning to Europe, where he established a stage career and worked extensively in television, netting several awards for his work.