(Reuters) - Opera singer Placido Domingo on Tuesday dropped out of a performance at the Metropolitan Opera in New York while disputing accusations of sexual misconduct levelled by several women in the classical music world.
Domingo, one of the world’s leading tenors, was due to appear in “Macbeth” on Wednesday. Both he and the Met Opera said he would not perform there again.
“The Metropolitan Opera confirms that Placido Domingo has agreed to withdraw from all future performances at the Met, effective immediately. The Met and Mr. Domingo are in agreement that he needed to step down,” the opera house said in a statement.
More than three dozen singers, dancers, musicians, voice teachers and backstage staff have said in recent weeks that they had witnessed or experienced inappropriate behaviour by Domingo towards women at different opera houses over the last three decades.
Domingo, 78, said in a statement on Tuesday that while he strongly disputes the recent accusations against him, “I believe that my appearance in this production of Macbeth would distract from the hard work of my colleagues both on stage and behind the scenes. As a result, I have asked to withdraw and I thank the leadership of the Met for graciously granting my request.”
The Spanish singer added that he considered his dress rehearsal in the title role of “Macbeth” to be “my last performance on the Met stage.”
Los Angeles Opera, where Domingo is general director, said last month it would bring in outside counsel to investigate the accusations made in two reports by the Associated Press.
A handful of U.S. regional opera houses and orchestras had previously cancelled planned appearances by Domingo but the decision by the Met marked the most serious fallout for the singer from the accusations.
Domingo was one of the “Three Tenors,” along with Jose Carreras and the late Luciano Pavarotti, who brought opera to a wider audience with concerts around the world in the 1990s.
Hundreds of women have publicly accused powerful men in business, politics, the news media, sports and entertainment of sexual harassment and abuse since October 2017, fuelled by the #MeToo social movement.
Reporting by Jill Serjeant in Los Angeles; Editing by Howard Goller and Matthew Lewis
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