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Actor Sushant Singh Rajput bets on VR with new venture

Sushant Singh Rajput casually talks about the dorsolateral prefrontal cortex, supercomputers and non-linear thinking while doodling furiously on piece of paper. “I’ve just discovered that I’m ambidextrous,” he says. The actor sounded more like Elon Musk than a Bollywood star as he describes his excitement with emerging technologies.

Movie Review: Hope Aur Hum

Director Sudip Bandyopadhyay’s “Hope Aur Hum” (Hope And Us) is like a jigsaw puzzle that you desperately hope will fall into place in the end. But 95 minutes later, you realise that there are several pieces missing, with no chance of it ever forming a coherent picture.

Movie Review: Raazi

REUTERS - In Meghna Gulzar’s “Raazi”, espionage is treated very differently than what we see in most spy movies. It is not a cloak-and-daggers game but more like a family vocation, passed on from generation to generation and played out in living rooms and schools – in everyday situations that lend it an air of domesticity, rather than a sense of thrill.

Interview: Meghna Gulzar on ‘Raazi’ and patriotism

Meghna Gulzar’s new film “Raazi” (Willing) tells the story of a Kashmiri woman who operated as an Indian spy in Pakistan in the 1970s. Based on Harinder Sikka’s book, “Calling Sehmat”, the spy thriller has Alia Bhatt and Vicky Kaushal in lead roles.

Movie Review: 102 Not Out

The biggest takeaway from Umesh Shukla’s “102 Not Out” is that Indian parents never seem to relinquish control of their children’s lives, no matter how old they get. Even if you are 100 years old and your son is a septuagenarian, there is no resisting the temptation to set his life right, because “daddy knows best”.

Movie Review: Omerta

In Hansal Mehta's "Omerta", Rajkummar Rao plays the role of the Islamist militant Ahmed Omar Saeed Sheikh, who was convicted of kidnapping and killing American journalist Daniel Pearl.

Interview: Hansal Mehta on 'Omerta' and India's passive liberals

Hansal Mehta won acclaim for his 2013 film “Shahid”, based on the real-life story of a Muslim man’s journey from being radicalised to becoming a lawyer who defended people he believed were wrongly accused of terrorism. Mehta says there is no such change of heart in his new film, “Omerta”, where young men are radicalised and commit heinous crimes in the name of religion with state support.

Movie Review: Daas Dev

In the starting credits of “Daas Dev”, Director Sudhir Mishra thanks three people - Sarat Chandra Chattopadhyay (the author of “Devdas”, the novel on which the film is based), William Shakespeare, and his grandfather D P Mishra, the former Congress leader and Madhya Pradesh chief minister. Mishra is obviously looking to combine the best of what these three gentlemen stood for as he tries to readapt the age-old tale of tragic love to the Hindi heartland and the hardcore politics that dominates it

Q&A: 'Sairat' director Nagraj Manjule on the duplicity of Indians on love

When “Sairat” (Unfettered) released two years ago, the film’s director Nagraj Manjule found himself in the middle of a pop-culture phenomenon. The tale of star-crossed lovers grossed more than one billion rupees ($15 million) at the box office - unprecedented for a Marathi film. The actors were mobbed, lines from the film are quoted verbatim even today, and it inspired the creation of a network to protect runaway couples in a country where marrying outside one’s caste is still taboo in many plac

Movie Review: Nanu Ki Jaanu

REUTERS - At one point in Faraz Haider’s “Nanu Ki Jaanu”, a group of men are sitting around a table and having a serious discussion, when one of them starts sobbing for no obvious reason. The absurd moment is one that fits with the general tone of the film, where things happen without any rationale and no one has a clue about what is going on.